北宋初期,骈俪之风盛行,涌现出一大片诸如晏殊等婉约派词人。他们作品中对女性仪表以及情感的描写成为其题材之一大宗。然而男人强作女人词,难免会有因性别差异而带来的视角冲突,这其中既有矛盾,同时也造就了宋词中独特的审美视角与韵味。本文以晏殊为代表,浅析其词作中的女性描写,研究其中所体现的性别视角。 Early Northern Song Dynasty, the wind prevails, emerged a large, such as Yan Shu et al. The description of female instruments and emotions in their works has become one of the themes. However, when men are strong as women’s words, there is inevitable conflict of perspectives brought about by gender differences. There are both contradictions in them, as well as unique aesthetic perspectives and charm in the lyrics. This article takes Yan Shu as the representative, analyzes the female description of his works, and studies the gender perspective embodied therein.