山水画作为中国画的一种分类,魏晋南北朝时期初露端倪,经隋唐发展独立成为一种新画科,至五代宋元取得了前所未有的辉煌,后经明清两朝发展成为中国画之主流。近百年来,在整个中国画艺术由古典形态向现代形态变革的转形时期,取得了相当大的发展和成就。在二十世纪中后期形成了以黄宾虹、傅抱石、李可染等为代表的历史高峰。近些年来,山水画的题材更加开阔,形式风格更加丰富,一批成就突出、有代表性的画家正在逐渐成熟起来。传统与创新仍是焦点问题,发展和变革传统山水画已达成共识。但是大部分主张中国画变革的画家鉴于历史的经验和自己艺术实 As a classification of Chinese painting, landscape painting took a clue in the period of Wei, Jin, Southern and Northern Dynasties. It became a new painting department through the independent development of the Sui and Tang dynasties. The Five Dynasties and the Song Dynasty won an unprecedented glory. After the Ming and Qing Dynasties, the development of Chinese landscape painting became the mainstream of Chinese painting. In the past century, considerable progress has been made in the transformation of the whole Chinese painting from the classical form to the modern form. In the middle and late twentieth century, the historical peaks represented by Huang Binhong, Fu Baoshi and Li Keran were formed. In recent years, the subject matter of landscape painting has become more open, its forms and styles become richer, and a number of outstanding achievements have taken shape. Representative painters are gradually maturing. Tradition and innovation are still the main issues, and consensus has been reached on the development and transformation of traditional landscape painting. However, most painters who advocate the transformation of Chinese painting, given their historical experience and their artistry,