两年前,我和蒲逊完成话剧《回家》的创作后,寻思着今后可以不再写话剧了,原因有三:一是写话剧太难,难就难在我们的话剧基本上是一种集体参与、集体叙述的艺术,而艺术的本质应该是个性化与个体叙述,一旦进入集体叙述的程序,个性必然受到限制,难度也就出现了;二是经过部队编制体制调整后,原来历史悠久、实力雄厚的战士话剧团合并到了文工团,编制只有区区十人,十个人集中在一起一次也就只能做一件事,即便是排小品也只能排完一个再排下一个。其实还不仅仅是人的问题,主要是那个“气场”受到了影响,要想再像以往那样年年推出新戏,不容易了。三是蒲逊转业到地方电视台后,许多电视剧创作任务 Two years ago, after Pu and I completed the creation of the play “Go Home,” I wondered why I could no longer write plays in the future for three reasons: First, it was too hard to write a drama, and it was hard for us to basically have a drama Collective participation and collective narrative art, and the essence of art should be individualized and individual narration. Once it enters the process of collective narration, individuality is bound to be limited and the difficulty arises. Second, after the adjustment of the force establishment system, the original history is long , The strength of the Warrior repertory merged into the art troupe, the preparation of only a district of ten people, ten people together once only one thing can be done, even if the row of small pieces can only be discharged one after another row. In fact, it is not just a matter of people, but mainly the “aura” that has been affected. It is not that easy to introduce a new movie every year as in the past. Third, Puxun after he switched to local television stations, many TV drama creation task