沈既济的《枕中记》和蒲松龄的《续黄粱》都描写了在封建社会汲汲于功名富贵的一介书生,经高人的导引,在梦中经历了大富大贵,大喜大悲,梦醒之后,方觉金玉满堂,妻妾盈室,气势显赫等封建士子们梦寐以求的东西,都不过是过眼云烟,黄粱一梦,于是看破红尘,实现了精神上的顿悟和超脱。二作者的共同之处都在于紧紧扣住“梦寐”这一主题,将尘世的现实寓于虚幻的梦境之中,“假作真时真亦假”,真作假时假亦真,真真假假,不知是庄周化蝶还是蝶化庄周,在一场梦魇之后,收到了喻世、醒世、警世之效。只不过,由于作者自己在作品中所界定的情感角色不同,卢生和曾孝廉在皈依的彻悟过程中,一个用的是规劝之法,让他自觉四大皆空,于是欲念顿消;一个则是先把他抛向人生的顶峰,再让他跌入万复不劫的深渊,用令人毛骨悚然的酷 The “Pillory” and “Puhuangling” of Pu Songling both portrayed a scholar who learned a lot from the feudal society in the name of wealth and power. After being guided by an expert, he experienced great wealth, great joy and compassion in his dream When I woke up, all my fellow feudal lords dreamed of things like the golden concubine, the wives and the concubines, the dreams of the feudal lords. They were nothing but dreams of the past, so they realized the spiritual epiphany and transcendence. The common feature of the two writers is that they firmly hold the theme of “dreaming of the aged,” putting the earthly reality in an illusionary dream. Fake, I do not know Chuang Zhou butterfly or butterfly Zhuang Zhou, after a nightmare, Yu Shishi, Awaken the World, the police effect. However, due to the different emotional roles defined by the author in his works, Lusheng and Ts’ao Lianlian used the law of persuasion during the process of conversion to complete the process of enlightenment, leaving him unconscious to disappear. He throws the pinnacle of life, then let him fall into the abyss of Wafu not robbery, with the creepy cool