映画廊在成立之初,就以一种较为高调的姿态进入到摄影人的视野之中,这不仅因为其规模,还由于画廊经营者所掌握的业界资源。从创立到现在,映画廊举办的影展风格比较多元化,既有吕楠的《四季》那样严肃的现实主义展览;也有区志航的《景·观》那样形成网络热议的影像话题;更有欧阳星凯《人民路》那样的平民视角。 At the very beginning of the establishment, the gallery entered the field of photography with a high profile, not only because of its size, but also because of the industry resources held by gallery operators. From its inception to the present, the gallery style of film exhibition is more diversified, both Lu Nan’s “Four Seasons” as serious realism exhibition; also ZZZ “King concept” as the network hot video topics; more There are people like Ouyang Xingkai “People’s Road” perspective.