“纸塑”与广大观众见面以来,很多朋友问我:“你是一个舞蹈演员,怎么想到做起纸塑来的?”对于这个问题,我一直无法解释得非常清楚,因为我并非刻意地去想过。我是在自然与随意中,凭感觉去做的。 一九九二年七月里的一天,我和女儿一起做纸娃娃玩,偶然间我发现,这极为简单的娃娃造型竟是那样有趣,那样逗人喜爱,似呼之欲出,我把她们悬挂在墙壁上,端祥着、欣赏着她们纯真可爱的面孔。白色的娃娃似石膏塑像,彩色的娃娃像彩色浮雕,这些纸娃娃占据着我们的生活空间,给我们的生活增添了欢乐与情趣。但是,这个时期的纸人还仅限于头部造型。对于为什么把人物做成长长的桶型这一问题,我想应当从舞蹈艺术的审美特征讲起,可以说,舞蹈的美学特征在潜意识里对我的创作起着重要的支配作用。熟悉舞蹈艺术的朋友大都知道,舞蹈演员在训练时要求身体开、绷、立、直,特别是芭蕾舞演员,对这方面的要求则更为严格。芭蕾舞是舞蹈类别中较为高雅的艺术门类,我从小接受的是严格系统的古典芭蕾舞蹈的训练方法,多年的舞台实践伴随着 Since the founding of Zhisu, many friends have asked me, “You are a dancer, how do you think of using paper to make it?” I have been unable to explain this issue very clearly because I did not deliberately go Thought I am in the natural and casual, with the feeling to do. One day in July 1992, my daughter and I played together as a paper doll. Occasionally I found that this very simple doll’s shape was so interesting and cute that I could hang it out on the wall On the end of the auspicious, enjoy their pure cute face. White doll-like gypsum statues, colorful dolls like colored embossed paper dolls occupy our living space, to our life adds joy and fun. However, this period of paper is limited to the head shape. For the reason why people make long barrel shapes, I think we should start with the aesthetic characteristics of dance art. It can be said that the aesthetic characteristics of dance play an important dominating role in my subconscious creation. Most of the friends who are familiar with the art of dancing know that dancers require the body to open, stretch, stand up, and straighten, especially ballet dancers, and the requirements in this respect are more stringent. Ballet is a more elegant art category in the dance category. From a young age, ballet is a strictly systematic training method for classical ballet. Many years of stage practice have accompanied