第二次听总政话剧团孟冰团长读剧本,我试图理清自己的思绪,可能只是一片情绪,但是这一片情绪对于开启我们未来的创作,推开《谁主沉浮》创作的这扇门,也是很有益处的。在浙江省话剧团听剧本的时候,我几次问自己,是不是杭州这块土地只能发出吴音越语,是不是西子湖畔只能摇曳柳绿桃红,是不是我们面对这部红色经典,真的能做到与今天的“盛行”格格不入、泾渭分明? The second time I listened to the script of the General Political Troupe Meng Ieng read the script, I try to sort out my thoughts, may be just a mood, but this piece of emotion for opening our future creation, open the “Lord of the ups and downs” creation of this fan The door is also very good. In Zhejiang Repertory Theater to listen to the script, I asked myself several times, is not this piece of land in Hangzhou can only be issued Wuyin Yue language, is not only the West Lake shuffling willow pink, is not that we face this red classic, Really can be done with today’s “prevalence of” out of tune, completely different?