仇英(约1494-1552)的摹古功力,一向为同代人及后代评论家所称道。王世贞(1526-1590)说他“于唐宋名人画无所不摹写,皆有稿本,其临笔能夺真,米襄阳不足道也”1,明末清初徐泌赞其“摹唐宋人画,皆有夺真”2。检索文献可知,仇英的摹古及仿古作品,涉及山水、人物、花鸟、界画诸多领域。见于著录的,便有《摹李昭道海天落照图》《摹松雪沙苑图》《摹赵伯驹浮峦暖翠图》《临西园雅集图》《临赵伯驹光武渡河图》《仿李龙眠揭钵 Qigu Ying (about 1494-1552) has always been known for his contemporaries and future generations of critics. Wang Shizhen (1526-1590) said he “celebrities in the Tang and Song dynasties are copied everywhere, there are manuscripts, the pen can take real, Mi Xiangyang insignificant ” 1, late Ming and early Qing Xu extol “ G Tang and Song dynasties paintings, all have captured ”2. Retrieval literature shows that Qiu Ying’s ancient and antique works, involving landscapes, figures, flowers and birds, the boundaries of many areas. Found in the bibliography, there will be “copy of Li Zhaozhao sea sunset map” “Matsuna snow map” “G Zhao Boju Floating warm warm map” “Pro West Park elegant set” “Pro Zhao Boju light Wudu River map”