情节与冥想之间消解与建构的结构关系使米勒的思想在文本中得到表述,同时也反映出现代主义对以情节为主的传统叙事手段既超越又固守的内在矛盾。包括享利.米勒在内的美国先锋作家最终对情节的妥协,不仅证实故事情节在语言虚构艺术中的合法性,更表明现代主义反情节的形式探索实则是为情节叙事向纵深发展提供了一种动力。 The structural relationship between digestion and construction of plot and meditation enables Miller’s thinking to be expressed in the text, as well as reflecting the inherent contradiction that modernism transcends and sticks to the traditional narrative method based on plot. The final compromise of the plot by American avant-garde writers, including Henry Miller, not only confirmed the legitimacy of the plot in the art of language fiction, but also showed that the exploration of the form of anti-plot of modernism actually provided a Kind of power.