对于一贯喜欢望文生义的中国学人来说,对于“日常生活审美化”进行的探讨,人们想当然地把它当成是一个审美和美学(包括文艺学)问题。把“日常生活审美化”和美学困境联系起来,这当然也算是一个敏锐的观察,但呈现在这样的“审美”凝视的目光中的,也只是“审美”的某种平面上扩展和“增量”。就“日常生活审美化”成功地虏获了它的赞美者,使他们再也看不到经验主义和实证主义视野之外的任何东西这一点来说,它确实是一个问题,或者说,在更大的范围内,正是“日常生活审美化”本 For Chinese scholars who always like to be literate, people take it for granted that it is an issue of aesthetic and aesthetics (including literature and art) for the discussion of “aestheticization of daily life.” It is of course a keen observation to link the aestheticization of everyday life to the aesthetic predicament, but it is only some kind of “aesthetic” that appears in this “aesthetic” gaze Flat expand and “Increment ”. It is indeed a matter of fact that “the aestheticization of everyday life ” has succeeded in capturing its compliments so that they no longer see anything other than the empiricist and positivist horizons, or, in other words, In a larger context, it is precisely this “aesthetic of daily life”