近年,笔者多次走访欧美各大博物馆,对古埃及、古希腊、古罗马、文艺复兴以及近现代雕塑进行了综合考察学习。对于具象雕塑中“身体性的造型自立”问题,即关于人的身体站立的原理与人体雕塑造型之间的内在关系有较深的体会。同时,有感于在当代的文化境遇中,雕塑艺术的表现形式与手段日趋多样化,造成雕塑与其它艺术门类的界线越来越模糊。在这样的背景下,我们该如何重新认识具象人体雕塑的价值,思考其作为雕塑门类特征和本体语言 In recent years, the author visited many major European and American museums to conduct a comprehensive study of ancient Egypt, ancient Greece, ancient Rome, Renaissance and modern sculpture. For the concrete sculptures, the issue of “physical self-reliance” is deeply rooted in the inherent relationship between the principle of the human body standing and the body sculpture. At the same time, he feels that in the contemporary cultural situation, the forms and means of sculpture art are increasingly diversified, causing the boundary between sculpture and other art categories to become increasingly blurred. Under this background, how can we re-understand the value of figurative sculpture and think of it as a category of sculpture and an ontology