改革开放后,随着声乐教育自身的发展和外来文化的影响,三种唱法本身产生了许多自相矛盾的问题,而这些问题的核心集中体现在演唱中国作品的时候。本文对改革开放后中国声乐现状与发展态势进行研究。一、改革开放后中国声乐现状(一)美声唱法和民族唱法怎样界定随着两种唱法在中国作品演唱过程中体现出来的急剧统一进程的推进,这种关于唱法的归属问题和矛盾将会越来越突出。众所周知,长久以来民族唱法的歌唱家一直鲜以外国作品 After the reform and opening up, with the development of vocal music education itself and the impact of foreign cultures, the three singing methods themselves produce many self-contradictory problems, and the core of these problems is embodied in the time when Chinese works are sung. This paper studies the status quo and development of China’s vocal music after the reform and opening up. I. Status Quo of China’s Vocal Music after the Reform and Opening Up (1) How to Define the Method of Singing and Singing of the United States With the advancing of the process of radical unification embodied in the singing of the two kinds of singing in the process of Chinese singing, the issue of attribution and contradiction about the singing The more prominent. As we all know, the national singing singers have long been foreign artists