论文部分内容阅读
从中国现存的画论文献中探求重构现代形态的中国绘画美学的观念体系及其实践路径,这既是中国当代绘画理论发展的内在需要,也是中国美学加入当代艺术理论国际对话的一种理论策略。如果第三世界国家的研究者在接受西方思想时仅能根据自身文化特色提出一点差异性看法,这无异于暗示:自身文化是普遍性的一部分,仅仅具有一些例外特点而已。反之,以高建平先生为首的研究者,则大力倡导另一种中国美学研究立场,坚持“不再是将美学上的一种普遍真理与一国之
To explore the conceptual system and practice of reconstructing the modern Chinese painting aesthetics from the existing Chinese painting theory literature is not only the inherent need of the development of Chinese contemporary painting theory but also a theoretical strategy of joining Chinese aesthetics into the international dialogue of contemporary art theory . If the researchers in the Third World countries can only make a point of difference based on their own cultural characteristics when they accept western ideas, it is no different from the suggestion that their own culture is a part of universality and only has some exceptional features. On the contrary, researchers headed by Mr. Gao Jianping vigorously advocate another kind of Chinese aesthetical research standpoint and insisted that ”it is no longer to combine a universal truth of aesthetics with that of a country