论文部分内容阅读
《倾城之恋》与《家》这两个文本都把偶然性事件(战争和地震)作为小说实现圆满的契机,微小的个体也通过偶然事件的发生而与宏大的历史实现了联结。但是,偶然性事件带来的这种圆满只是暂时性的、无法永久,源于作者旨在通过偶然事件对现代文明进行批判。另外,偶然事件对矛盾的“镇压”效力是有期限的,所以在新的矛盾产生时又必须出现另一
Both the “Love in the Fallen City” and the “Home” text take accidental events (wars and earthquakes) as a perfect turning point for the novel, and the tiny individuals also connect with the grand history through the occurrence of contingencies. However, this kind of fulfillment brought by contingency is only temporary and can not be permanent because the author aims to criticize modern civilization by chance. In addition, contingencies have a deadline for contradictory “repression” effects, so another one must emerge when a new paradox arises