“终有一天,计算机能够画得和圆堂政彦(的精湛手绘)一模一样,……如果我们只考虑图像本身,作为一个产品,或者物体。这已经是我们习惯了的感知方式,无论是图像,还是他们所描述的建筑物。”利伯乌斯.伍兹(Lebbeus woods)指出了建筑在当今社会沦丧为消费品的普遍现象。~([1])资本的价值观塞满人们闲置的大脑,我们的现实被扭曲,我们的初心被遗忘。为了对抗这种消费膨胀所带来的意识危机,圆堂政彦坚持通过建筑手绘把持自我,创造最忠于内心的存在体验。~([2])这种手脑合一的内在对话,是计算 “One day, the computer can draw the same image as Tadanori Masahiko (superb hand-drawn) ... if we only consider the image itself as a product or an object, this is the way we are accustomed to perception, whether it is an image , Or the buildings they describe. ”Lebbeus woods pointed to the pervasiveness of buildings as consumer goods in today’s society. ~ ([1]) The values ​​of capital fill the idle brain, our reality is distorted, our minds are forgotten. In order to counter this crisis of consciousness brought about by the expansion of consumption, Hideo Masahiko insisted on using the architectural hand-drawn to control himself and create the most loyal inner experience. ~ ([2]) This inner dialogue of mind and brain is calculated