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灾难新闻可直观地理解为是对天灾或人祸的报道。而如何将灾难新闻做得具有美学高度一直是新闻界探讨并不断实践的重要课题。“5·12”汶川大地震发生后,国内媒体的报道得到了空前的高度认可,但仍然存在一些不尽如人意的地方。本文以5·12汶川大地震为例,就灾难新闻的视觉传播美学意义进行探讨并对如何实现灾难新闻视觉传播的“美”给出自己的意见和建议。
Disaster news can be intuitively understood as a story of natural disasters or man-made disasters. How to make disaster news aesthetically pleasing has always been an important issue for the media to explore and keep practicing. After the May 12 earthquake in Wenchuan, reports by the domestic media have been highly recognized by the media. However, there are still some unsatisfactory places. Taking Wenchuan 5.12 Earthquake as an example, this paper discusses the aesthetic significance of the visual communication of disaster news and gives its own opinions and suggestions on how to realize the “beauty” of disaster news visual communication.