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“功夫,就是时间”筹备长达8年之久,王家卫再一次带来了拍摄手法独特,个人风格强烈的电影《一代宗师》,得到华语电影圈以及国际电影界的瞩目与赞赏。匠心独运的叙事结构,以点带面;光与影的完美分割,润物无声;情义的对立统一,诗意武侠。本文旨在从叙事结构,电影画面以及电影对白和角色形象塑造三个方面深入剖析该影片电影美学艺术的设计。
“Kung Fu, Time is Time” Preparations for up to eight years, Wong Kar-Wai has once again brought “a generation of masters” with a unique style of filming and a strong personal style, which has attracted the attention of the Chinese cinema circle and the international cinema industry. Ingenious narrative structure, with a point with the surface; the perfect division of light and shadow, moisten things silent; emotional unity of opposites, poetic martial arts. The purpose of this paper is to analyze in depth the design of film aesthetics from three aspects: the narrative structure, the movie screen and the dialogue between the movie and the character.