所有文化研究的“导论”性著作差不多都会谈到本雅明,而谈到本雅明时又必提他那篇《机械复制时代的艺术作品》(下面简称为《艺术作品》),但谈来谈去,似乎也出现了一些问题。为谨慎起见,我还是先引几本“导论”中的文字,以便于分析思考。比如,斯特里纳蒂(Dominic Strinati)的《通俗文化理论导论》在简述了《艺术作品》中的主要观点之后指出:“本雅明强调了当代通俗文化的民主潜力和参与潜力,而不是独裁主义的潜力和约束的潜 Benjamin would have been talked about almost all of the “introductory” writings of all cultural studies, and his account of “the work of mechanical reproduction” (hereinafter referred to as “work of art”) when it comes to Benjamin, but let me talk about it Go, it seems that there have been some problems. To be cautious, let me first introduce a few “introduction” in the text, in order to analyze and think. For example, Dominic Strinati’s “Introduction to Popular Cultural Theory”, after a brief account of key ideas in “Works of Art”, states: "Benjamin emphasized the democratic and participatory potential of contemporary popular culture, rather than The potential of authoritarianism and the potential of restraint