随着人民生活水平、文化素养的提高,盆景艺术正在被越来越多的人所欣赏。已有企业家投资中小型盆景的批量生产,以满足市场需要。但目前大中型的盆景尚无广阔的市场。在一些城市或地区的盆景展览会上常看到参观的人川流不息,购买者却寥寥无几。而一个好作品,从最开始设计制作到成型可供观赏,要花费几年乃至几十年的功夫。其间创作者需投入很多时间、精力和资金。如果一个艺术作品难以得到相应的价值体现,不能说不是一种无奈。盆景创作与其它艺术不同之处在于它是活的、不断变化着的艺术品。目前的国情,大中型盆景走入千家万户还有相当时日。做为盆景工作者,敢于面对『高处不胜寒』的现实,守住寂寞,守住客观上存在的高雅艺术和普及文化的差别,承认欣赏的距离并尽最大努力去缩短它,便是对盆景事业发展的一种贡献。就市场而言,一个小的商品盆景,可能会存活几年,而一个大型作品,它的生命力可能是几十年、上百年。前者实现了一定的货币价 With the improvement of people’s living standard and culture, bonsai art is being appreciated by more and more people. There have been entrepreneurs investing in mass production of small and medium-sized bonsai to meet market needs. However, medium-sized bonsai is not yet a vast market. In some cities or regions in the bonsai exhibition often see the stream of people going, but few buyers. And a good work, from the beginning of the design to molding for viewing, it takes years or even decades of effort. During which creators need to invest a lot of time, energy and money. If a work of art is difficult to get the corresponding value, can not be said to be a helplessness. The difference between bonsai creation and other arts is that it is a living and changing artwork. The current national conditions, large and medium-sized bonsai into the tens of thousands of households there is quite a time. As a bonsai worker, he dared to face the reality of “being above the top”, hold the loneliness, hold the objective difference between the elegant art and the popularization culture, recognize the distance of appreciation and make every effort to shorten it. A contribution to career development. In terms of the market, a small commodity bonsai may survive for a few years, whereas a large-scale work whose vitality may be decades or hundreds of years old. The former achieved a certain monetary price