“书画同源”在中国画理论中具有重要影响,其含义主要包括如下三层:书出于画;2)书与画在历史发生上是同源的;3)画要建立在书的基础上;本文通过对其分别进行分析,以严谨的态度指出其存在的不妥之处,并给予论证。 “The same origin of painting and calligraphy ” has an important influence in the theory of Chinese painting, its meaning mainly includes the following three layers: the book is out of the painting; 2) the book and the painting are homologous in history; and 3) On the basis of this, this paper analyzes each of them separately and points out its improper existence with rigorous attitude and gives the argument.