茅盾是以文艺批评家的身份出现于“五四”文坛的,随着批评家、社会活动家、作家这三种职能的交替换位,使得茅盾的文学批评由早期受参与具体社会活动影响所形成的纯粹理性批评,逐渐蜕变为受文学创作活动影响而成型的审美与功利间杂的批评模式。茅盾的文学创作促成了其文学批评的矛盾与嬗变。 As a literary critic, Mao Dun appeared in the literary world of “May Fourth Movement.” With the alternation of the three functions of critics, social activists and writers, Mao Dun’s literary criticism was influenced by his participation in specific social activities Influenced by the formation of purely rational criticism, and gradually transformed into literary creation activities influenced by the formation of aesthetic and utilitarian model of miscellaneous criticism. Mao Dun’s literary creation contributed to the contradiction and evolution of his literary criticism.