参考片气势宏大,人物与环境相得益彰。如果我们从模仿的角度来看,倒也不必非得如此“贴合”。这里选择了一张棚拍时装片,因其置景和氛围提供了模仿的可能;人物的状态、表情也比较切合主题;加之暗调背景方便整体画面的合成。其实,这种利用素材合成画面,改变原片面貌的后期制作方式本身也是时装片制作的常用手段,并不只是“为了模仿而模仿”。处理的关键在于:切合主题、氛围统一、兼顾细节。 Reference film momentum, figures and the environment complement each other. If we look at it from an imitation point of view, we do not need to have to “fit in.” Here’s a choice of a studio fashion film, because of its scenery and atmosphere to provide the possibility of imitation; character’s state, facial expressions are more appropriate theme; combined with the dark background to facilitate the overall synthesis of the screen. In fact, the use of material synthesis screen, change the appearance of the original film post-production itself is a common means of fashion film production, not just “to imitate and imitate ”. The key is to deal with: meet the theme, atmosphere, taking into account the details.