白不单单是一种颜色,更是一个实体,它是来找到由人们自身文化设定的那些感觉之源。人们已通过使用诸如“空的容器”这样的用语将沟通技巧概念化,以使自己更加地理解对方。通过与“空”那宽广的含义谱系对峙,“白”便应运而生。但我们一定不要试图去寻找“白”而是要搜寻一种感觉“白”的方式。本文通过对“无何有之乡”的设计分析,引出了“白”这一设计理念,让人们在嘈杂的生活中寻找设计原有的质朴属性,使设计不再浮夸,让我们在更亮的光里看到我们所生活的世界。 White is more than just a color, but an entity that comes to find the source of those feelings set by people’s own culture. People have conceptualized communication skills by using terms such as “empty container,” so that they understand each other better. Confronting the broad spectrum of meanings of “null”, “white” came into being. But we must not try to find “white” but to search for a way to feel “white.” Through the design and analysis of “Where There is Hometown”, this paper leads to the design concept of “white ”, which allows people to look for the primitive simplicity of design in noisy life so that the design is no longer exaggerated, We see the world we live in brighter light.