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正如同考古发现一样,新材料的发现总会补充和更新我们既有的认识和观念,不断地激发研究者的兴趣,也持续推动着学术研究的发展。本人自2011年春夏之际开始参与《发现——百年江丰文献展》[1]文献资料整理工作,对江丰的文献档案、木刻作品、书信遗物等进行全面整理。在搜集和梳理江丰的木刻创作时,几则关于江丰《平型关连续画》的材料引起了我的兴趣:1.1938年11月6日在《文艺阵地》
Just as with archaeological discoveries, the discovery of new materials will always complement and update our existing knowledge and ideas, continue to stimulate the interest of researchers and continue to promote the development of academic research. Since spring and summer of 2011, I began to participate in the “discovery - a century Jiangfeng Literature Exhibition” [1] literature data sorting, Jiang Feng’s documents and archives, woodcuts, correspondence and other relics were fully collated. In the collection and combing Jiang Feng woodcut creation, a few on the Jiang Feng “Ping Kuan Guan continued painting” of the material aroused my interest: 1. November 6, 1938 in the “literature and art positions”