我国民族(汉族)调式歌曲的旋律以五声性调式为主。五声性调式包括五声调式和以五声音阶为骨干音的六声、七声调式。为民族调式歌曲编配伴奏,必须弄清民族调式的特点,掌握民族调式歌曲伴奏中常用的五声性调式和声的基本理论与方法,才能编配与之风格相统一的和声。五声性调式和声的基本理论主要是在借鉴西方古典和声学理论的基础上,在和弦连接、和弦结构与声部进行等方面进行民族化的处理,使之与五声性调式旋律相统一。在为民族调式歌曲配置和 The melody of Chinese ethnic (Han nationality) style songs is dominated by the pentatonic style. The pentatonic mode includes five tones and six tones with seven scales as the backbone, seven tones. It is necessary to understand the characteristics of ethnic style and grasp the basic theories and methods of harmony of five tones commonly used in the accompaniment of national style songs in order to arrange accompaniment for national style songs. Only in this way can we harmonize with the style. The basic theory of the pentatonic harmony is mainly based on the western classical theory and the acoustic theory, and carries on the process of nationalization in the aspects of the chord connection, the chord structure and the vocal part, and makes it harmonize with the pentasacial melody . Configured for the national style song