进入21世纪以后,美学界对改革开放以来近三十年的美学发展历程的反思越来越多,原因在于在世纪之交的特定历史条件下中国美学遭遇到一些新情况,出现了一些新问题,急需通过一个反思过程以找出问题、摆脱困境和谋求进一步发展的可能性。在反思中,许多论者已认识到使中国当代美学陷入困境的根本问题之一就是美学理论与现实的艺术和审美实践的脱节,这个问题不仅体现在20世纪80年代的实践美学上,也体现在90年代的后实践美学上。因为无论实践论美学还是后实践论美学都是本体论美学,它 Since the 21st century, there has been more and more reflection on the aesthetic development course of nearly thirty years since the reform and opening up in the aesthetic circle because some new situations and new problems have emerged in Chinese aesthetics under the specific historical conditions at the turn of the century There is an urgent need to adopt a process of reflection to find out the problems, to get rid of the difficulties and to seek the possibility of further development. In the reflections, many commentators have realized that one of the fundamental problems in getting China’s contemporary aesthetics into trouble is the disconnect between aesthetic theory and realistic artistic and aesthetic practice. This problem is not only reflected in practical aesthetics of the 1980s, but also reflected Post-practice aesthetics in the 90s. Because both practical and post-practical aesthetics are ontological aesthetics, it