当下文艺学术时尚,日渐淡出专业本体或内涵,而热衷其外延和泛化。这一新时尚影射出文化转型期的文人学者们,抱着十分强烈的经世情怀,视“天下事皆吾份内事”,积极为社会、为国家和本民族勇担匹夫之责的主人翁热情,故而总以讨论又艺问题来检讨社会问题。实际上,这是对“艺术社会学”的呼唤。 音乐界也有类似现象。只不过由于中国的音乐理论学说有其精湛深邃、建树卓著 The current literary and art academic fashion, gradually fade out of the professional body or content, but keen on its extension and generalization. This new fashion reflects the literati scholars in the transitional period of culture. With a very strong mood of the world, they regard “all things in the world are my own part” and are the masters of bravely assuming the responsibility for the society, for the country and for the nation Therefore, we are always discussing social issues through discussions on art issues. In fact, this is the call for “sociology of art”. The music industry has a similar phenomenon. Only because China’s theory of music theory has its superb profound, outstanding achievements