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20世纪80年代以后,对于戏曲中伴奏音乐作用的认识逐渐有了些观念上的变化,伴奏乐队不仅仅是对唱腔的拖和保,逐渐开始担负起人物内心情绪的渲染以及剧情变化的烘托等重要作用。乐队的配置中也逐渐加入二胡、扬琴、笙、竹笛以及大提琴、单簧管等乐器。如何让这些新成员在淮剧的戏曲伴奏中找到适合自己的位置,这需要我们不断的摸索和总结。
Since the 1980s, there have been some conceptual changes in understanding the role of musical accompaniment in drama. The accompaniment band is not only a drag and protector of vocals, but has gradually begun to render the inner emotions of the characters and the changes in the story. Important role. The band’s configuration also gradually joined the erhu, dulcimer, Sheng, bamboo flute and cello, clarinet and other musical instruments. How to make these new members find the suitable position in the opera accompaniment of Huai opera, which requires us to constantly explore and summarize.