闻一多“大江诗歌”所表现的文化国家主义精神意味,无非是一种弱者图强的精神呐喊。这种呐喊在20世纪初的中国,无疑是属于正义的声音——通过弘扬“华夏文化”来聚拢涣散的国民以抵抗外寇。这种呐喊是慷慨悲愤、催人警醒的,但其也是一种混乱国家弱小族民因极度自爱而导致的文化自恋、自缚,含有一丝文化保守主义者的尴尬。这样的尴尬其根源与文化国家主义思想的偏颇性有必然的关联。 Wen Yiduo “Dajiang Poetry ” expressed by the spirit of cultural nationalism, is nothing more than a weak figure of the strong cry. This cry of crying in China in the early 20th century undoubtedly belonged to the voice of justice - to gather scattered nationals to resist the aggression by promoting “Chinese culture.” This cry is a generous indignation and reminder, but it is also a embarrassment of cultural narcissism and self-restraint caused by the extreme self-love of the weakest ethnic people in the chaotic countries. The root cause of such awkwardness is necessarily related to the biased nature of cultural nationalism.