论文部分内容阅读
朝鲜电影《卖花姑娘》以其跨越时空的人性美、发自生活底层的感染力,给予国人巨大的震撼。艾伟的小说《乡村电影》正是这样一篇述说儿时观影印记的作品。小说通过孩子的眼光看取“文革”之中的正邪较量,对当时扭曲异化的思想文化氛围之下面临艰难抉择的心灵进行了深度的开掘。此类小说与成人记忆的“伤痕”“反思”文学一起,共同组成了特殊时期民族精神创伤的文学资料库。
North Korea movie “Flower Girl” with its human nature across the time and space, from the bottom of life appeal, to give people a tremendous shock. Ai Wei’s novel “Country Cinema” is just such a piece of work that portraits childhood photography. Through the eyes of the children, the novel looks at the “good and evil” contest in “Cultural Revolution” and deeply digs the minds facing difficult choices under the distorted and alienated ideological and cultural atmosphere at that time. These novels, together with the literature of “Scar” and “Reflection” of adult memory, form the literary database of national trauma in special times.