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云南蓝靛瑶道教声乐可分为具有本民族民歌风格特点的复唱型和带有混融风格特点的简唱型两类,以往一些仅从文学及唱词角度进行分析者,往往没有顾及蓝靛瑶民歌中含有的“复唱”因素。一种行之有效的分析途径,便是从唱词规律入手,渐次进入对其传统演唱“套路”和其中所显现的主位文化观进行考察。本文将在前人已有分析思路和研究成果的基础上,采用对象性模型的分析思维,循着“背景→中景→前景”的展开路径对之进一步加以探讨和分析。
Yunnan Blue Indy Yao Taoist vocal music can be divided into the folk songs with the characteristics of complex vocals and singing style with mixed features of two types of singing, only some literature and lyrics from the perspective of analysts who often do not take into account the Indigo folk songs In the An effective way of analysis is to start with the law of the lyrics, gradually entering into an examination of the traditional concert “Routines ” and the main theme of culture which is manifested therein. Based on the existing analysis ideas and research achievements of predecessors, this article adopts the analytical thinking of object-oriented model and further explores and analyzes the path of “background-medium-landscape-prospect”.