工笔画自唐代就奠定了其精致与细腻的画风,于两宋时期发展到极致。而今人对精致与细腻的理解,往往存在一定的偏颇,常常是将这一精美且经典的传统技法,简单地理解成一整套的制作程序,仿佛经过白描勾勒、重彩设色后的表现程式就视之为工笔画。其实,当代这种仅仅流连于表面形式的工笔花鸟画,从意境、造型到色彩,已与传统的审美精神渐行渐远,呈现了画面造型呆板、粗糙,色彩单调、艳俗,题材内容日趋雷同的趋势,从而失去它原本的笔情墨韵及典雅高贵的艺术气质。 Meticulous painting has laid its exquisite and exquisite style since the Tang Dynasty and developed to the extreme in the two Song Dynasties. Nowadays people tend to be biased in their understanding of exquisiteness and exquisiteness. Often, this fine and classic traditional technique is simply understood as a set of production procedures. It seems that after passing through a white outline, The strokes. In fact, this kind of contemporary flower-and-bird painting that just hangs in the surface form has gone from the traditional aesthetic spirit to the artistic conception, the style and the color, showing the rigid, coarse, monotonous, The same trend, thus losing its original ink texture and elegant and noble artistic temperament.