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江陵马山一号楚墓刺绣品上的图案，神秘莫测，精美绝伦，令人惊叹之余而又难于文化破译。本文试图将其中充满魔幻意味的艺术形象纳入先秦神话系统，从对应与整合中找寻它们的原型及组合关系，发掘其深层文化意蕴，认为；“三头凤”就是古籍中“离朱”的艺术造型，与“三头凤”纠结在一起的植物应是“琅之树”，绣纹是日月星的象征符号，而亲密交合的龙凤虎则是楚人的尊崇对象。这些艺术形象展现了楚人的“光明崇拜”、“生命一体化”巫术神话意识、强烈的生命情感和超自然的心理经验世界，构成了楚人观念中生气盎然的关于宇宙生命运动的系统信息。
Jiangling Ma Hill on the 1st of the tomb of embroidery patterns, mysterious, exquisite, amazing but difficult to culture deciphering. This article attempts to incorporate the magical artistic image into the pre-Qin mythological system, find their prototypes and combination relations from correspondence and integration, and excavate its deep cultural connotation. It thinks that “San Tou Feng” is the art of “getting away from Zhu” in ancient books Modeling, and the “Three Fung” entangled with the plant should be “tree of the tree,” embroidered pattern is a symbol of the sun and the moon, and the dragon and tiger intimately interwoven Chu is the object of respect. These artistic images show the Chu people’s “bright worship”, “the integration of life” witchcraft mythology, strong emotional life and supernatural experience of the world of psychology, constitute the ups and downs of the concept of Chu people on the universe life movement system information .