在当今加拿大法语诗歌之前,一般说来一个法国读者不会产生任何不适的感觉。比如,他们在读安娜·埃贝尔或阿兰·格朗布瓦的诗集时,甚至想不到这是在大西洋彼岸出版的集子,也就是说是在与自己国度的气质与精神迥然相异的地方做的诗。在巴黎写的诗与在蒙特利尔写的诗之间,当然不存在滴水不漏的封闭隔墙。文学潮流的影响是共同的,如果就法国而言,我们可以离 Before today’s French-Canadian poetry, a French reader generally does not experience any feeling of discomfort. For example, when they read the anthologies of Anna Ebel or Alan Granumba, they do not even think of it as a collection published on the other side of the Atlantic, that is, in a place very different from the temperament and spirit of their own country poetry. There is, of course, no leaky closed partition between poetry written in Paris and poetry written in Montreal. The influence of literary trends is common, if France, we can leave