《普洱》杂志走过了它的十年,不算长,也不能说很短。十年,我没有直接参与这个杂志的运作,但它一直没有离开我的视线,作为一个兼职的编委,我也一直在为这个杂志做着力所能及的工作。所以我知道,《普洱》杂志能走到今天,能获得“中国最美期刊”的美誉实属不易。说它是风风雨雨也好,艰难曲折也好,都是事实,因为我就是一个见证人。打开最近几期《普洱》,感觉它越来越变得精美了。由此想到了它的前身《思茅文艺》,一份只发行千册的地方文学刊物。两者无法同日而语,但毕竟还有一些共同的血脉,也因此想到了一件我经历过的小 Pu’er magazine has gone through its ten years, not too long, can not be short. For ten years, I did not directly participate in the operation of this magazine, but it has not left my sight. As a part-time editorial board, I have been doing my best to do this magazine. So I know that “Pu’er” magazine can come to today, can get the reputation of “China’s most beautiful periodicals” is not easy. It is a fact to say that it is ups and downs, hard twists and turns, because I am a witness. Open the recent “Pu’er”, I feel it more and more beautiful. It comes to its predecessor, “Simao literary,” a local literary publication that publishes only 1,000 copies. Both can not be said in the same breath, but after all, there are some common blood, so think of a little I have experienced