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我们曾在群众音乐生活的初步社会调查中,加入了这样一个项目:观察西南地区某市文化用品商店乐器销信售量。我们看到,从前年十月到去年三月的半年时间,国产吉他的售出数大大地超过了1984年以竹笛、二胡、琵琶、三弦为主的群众性轻乐器的全年售出数。在群众中,青年工人、学生、干部购买吉他的热情普遍提高。吉他在今天似乎已成为城市群众文化娱乐的热门商品。从一些学校、工厂、家庭的观察表明,人们已把它当作普及音乐教育、活跃群众文化生活极为理想的工具。这些事实,从量的方面初步揭示出社会音乐现象的某些变化。反躬自省,沉思默虑,想过去,看现实,望将来,这是可喜,还是可忧? 古典西班牙吉他,从十六世纪开始,在欧洲的民间就流行起来了。吉他,为什么在我国又是姗姗来迟?而当它今天一旦真正地到来,却又拥有无限的生机?
We have included in the preliminary social survey of mass music life the project of observing sales of musical instrument sales in the stationery shops in a certain city of southwest China. We can see that from the previous year to the past half year in March last year, the sales of domestically produced guitars surpassed the sales of mass musical instruments mainly composed of bamboo flute, erhu, pipa and sanxian in 1984 . Among the masses, the enthusiasm of young workers, students and cadres in purchasing guitars generally increased. Guitar today seems to have become a popular commodity city of mass culture and entertainment. Observation from some schools, factories and families shows that people have regarded it as a very ideal tool for popularizing music education and activating mass cultural life. These facts reveal some changes in the social music phenomenon from the aspects of quantity. In retrospect, contemplative contemplation, think past, see the reality, looking forward to the future, is this gratifying, or worry? Classical Spanish guitar, from the sixteenth century, popular in Europe became popular. Guitar, why is it late in our country? And when it really come today, but with unlimited vitality?