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近来报纸上刊登了许多悼念梅兰芳的文章,谈到梅派艺术风格,其中徐兰沅总括梅派艺术特色的一首口诀,很发人深思。这口诀是:“由简入繁繁又简,简内俱是精华点,皮毛易学味难磨,多年艺术内中研。”如果舍去后两句,只看前两句,难道不也正是写作的规律吗?由简入繁,由繁再入简,梅兰芳积四十年舞台表演实践,获得了这样一条表演艺术达到炉火纯青的金科玉律;许多名作家,积多少年写作实践,也获得了同样这条写作艺术的金科玉律。《文心雕龙》和其他一些古代文章评论,不也都一再谈到繁、简的关系吗?可见,“文字艺术”和形象艺术情同一理。
In the recent newspaper, many articles on mourning for Mei Lanfang were published in the newspaper. When it comes to the art style of Mei School, one of the formulas that Xu Lanyuan summed up the artistic features of Mei School is very thought-provoking. This recipe is: “From simple to complex and simple, Jane is the essence of everything, easy to learn hard to wear fur, years of art in the Institute.” If you give up two, just look at the first two sentences, is not it The law of writing? From simple to complex, from repeated to Jane, Mei Lanfang plot forty years of stage performance practice, won such a performing arts to achieve a perfectionist golden rule; many writers, plot years of writing practice, also obtained The same golden rule of writing art. “Wen Xin Diao Long” and some other ancient articles commentary, do not always talk about the relationship between the complex and the Jane? Can be seen, “text art” and the image of the same empire.