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在《戏剧报》第八期上我讀了篇好文章,可以說是带科学性的經驗总結,更可以說是对目前的戏曲反映現代生活的剧目中、在解决內容与形式的諸多矛盾中提出了許多有用的好办法,这就是昆曲老艺人沈传錕先生写的《我怎样排演现代题材的戏曲》。目前許多戏曲团体,正大量上演现代題材的剧目,不可否認这是个难題,是創造性的工作,因此,需要及时总結經驗,相互交流,展开討論,从編剧、导演、音乐到演員等,都把实际工作中的点滴經驗,提出来,务点虚,也就是說理論化一番,这对戏曲的發展有莫大的好处。过去戏曲艺术的發展在这方面吃过一些亏。沈传錕先生却开始了一个很好的范例。
In the eighth issue of The Drama Newspaper, I read a good essay, which can be said to be a scientific summary of experience. It can be said that in the drama that reflects the current life of modern drama, many contradictions in content and form Many useful and good ideas were put forward. This is how I rehearsed the dramas of modern themes by Mr. Shen Chuan Kun, an old Kunqu opera artist. At present, many drama groups are massively presenting repertoire of modern themes. It is undeniable that this is a difficult task and a creative task. Therefore, it is necessary to sum up experiences, exchange ideas and discuss with each other in a timely manner. From writers, directors, musicians to actors, Put all the experience in the actual work, put forward the virtual point, which means that the theory of some of this drama has great benefits. In the past, the development of drama art had suffered some losses in this respect. Mr. Shen Chuan Kun started a good example.