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我们目睹之怪状近两年来艺术品市场呈现出一种吊诡的现状:号召全民火热参与;现当代作品价格大起大落;天价拍品遭人质疑;知名艺术家晚节不保;新交易模式成为闹剧等等诸如此类,轰轰烈烈地刺激着我们的神经并娱乐了大众的生活。在这里,我不禁想要问一个问题:谁来为我们的艺术负责?诚然,每个历史阶段都有它的特殊性,但是静下心来想一想,今天我们这么做,100年后会是什么样的结果?或成为笑谈,或受人唾弃,无论种种原因,能留下来的是什么?细观一部美术史,在如今神坛上的偶像有很多寂寂无名的过完一辈子,更有很多曾经踌踌满志的身影被遗忘在历史的选择中。深究其因,我们不难看出,
We have witnessed the strange past two years the art market has shown a paradoxical status quo: called the whole nation fiery participation; contemporary works prices ups and downs; expensive auction was questioned; well-known artists do not guarantee the late-night; the new trading model into a farce and so on , Vigorously stimulate our nerves and entertain the public’s life. Here, I can not help but want to ask the question: who is responsible for our art? True, every historical stage has its own particularities. However, we can not help but think about what we do today and 100 years from now What kind of result? Or become a joke, or cast aside, for whatever reason, what can be left behind? Fine to see a history of fine arts, in today’s altar there are many idol idols over a lifetime, more Many have been hesitant figure forgotten in the history of choice. Study its causes, we can easily see,