节奏诗学是洛特曼在研究俄语诗歌史时的重要范畴,但是别雷却把它提高到辩证法的高度。别雷的节奏诗学起源于作家的音乐认知,形成于作家的诗歌创作,在作家的小说创作之中逐步发展并日臻成熟,进而延用至作家的理论作品中。总体而言,节奏诗学是别雷创作个性中的第一要素,将他的多种创作形式连成一个整体。别雷在其节奏诗学中表现出他在追寻象征主义艺术理想过程中最具个性化的姿态。 Rhythm Poetics is Lotman's important category in the study of the history of Russian poetry, but Beyer raised it to the level of dialectics. Bei Lei's rhythm and poetics originated from the writer's cognition of music, formed in the writer's poem creation, gradually developed and matured among the writer's novel creation, and then extended to the writer's theoretical works. In general, rhythm poetics is the first element in Beile's creative personality and integrates his various forms of creation into a whole. Bely in his rhythmical poetics showed his most personal attitude toward the pursuit of symbolism's artistic ideal.