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本文以西方人对中国古代诗意画的认识为切入点,研究了北宋时期繁荣的花鸟小景画在“诗意空间”这一维度的发展脉络。论文通过不同时代的个案研究,认为存在三个主要阶段,即北宋早期、变格时期和徽宗时代。与此同时,论文研究了此三阶段中“诗意空间”的变迁与物象形似的关系。结合西方学者的观点,作了中西绘画及其深层思维的比较研究,最终从艺术哲学的层面解析了北宋花鸟小景画发展的内在规律。
This article takes the western people’s understanding of the ancient Chinese poetic painting as the starting point, and explores the development vein of the prosperous flower and bird painting in the Northern Song Dynasty in the dimension of poetic space. Through case studies of different ages, the dissertation holds that there are three main stages, that is, the early Northern Song Dynasty, the transitional period and the Huizong era. At the same time, the thesis studies the relationship between the change of “poetic space ” and the appearance of objects in the three stages. In the light of the western scholars’ point of view, this paper makes a comparative study of Chinese and western painting and its deep thinking. Finally, from the aspect of artistic philosophy, this paper analyzes the inherent law of the development of the Northern Song and Song dynasties.