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徐弘以独具一格的绘画语言和富有激情的表现方式,对中国新兴中产阶级的生活风貌进行了多重描绘。他对中产阶级的道德困境,传统承继和文化断裂,以及个人价值的艰难取舍等等问题的自觉反思,成为连接画家、作品和观众的思维之链。徐弘所营建的中国式中产迷津如同危险重重的克里特迷宫,而我们不得不直面以对的公共生活和私人领域中的多元身份认定和价值秩序抉择,就是米诺陶斯的利斧,逃逸之路极其艰难,与之战斗则需要智慧和勇敢。
With his unique style of painting and his passionate performance, Xu Hong has made multiple depictions of the living style of the emerging middle class in China. He consciously reflects on the middle class’s moral predicament, traditional inheritance and cultural breakdown, as well as the difficult choice of personal values, etc., and becomes the chain of thinking that connects painters, works and audiences. The Chinese-style middle militia built by Xu Hong is like the dangerous Cretan maze, and we have to confront the pluralistic identification and value order in public life and in the private realm. It is Minoxault’s ax, Escape the road is extremely difficult, fighting with it needs wisdom and courage.