张伯驹先生在中国戏曲界享名甚久,但是他的戏曲研究却并未得到应有的重视。这是一件极其可惜的事情。因为戏曲不能仅靠文字的东西流传,很多口耳相传的东西更为重要。随着张伯驹先生的去世,他所有的戏曲实践、理论方面的珍贵遗产也就随之丧失。没有能够在他生前及时抢救这些遗产,应该说是非常遗憾的。传闻张伯驹先生留有数十出余派戏的说戏录音,现在常有流传的仅是《法场换子》《盗宗卷》等几出而已。十分希望这些录音的保有者永久珍藏,也十分期 Mr. Cheung has enjoyed a long standing in the Chinese opera circles, but his drama studies have not received the attention he deserves. This is a very unfortunate thing. Because opera can not circulate by writing alone, many word-of-mouth things are more important. With the death of Mr. Zhang Boju, all his precious traditional practices of drama and theory have also been lost. It is very regrettable that we should not be able to rescue these properties in time before his death. It is rumored that Mr. Zhang Boju left dozens of speeches that say more than a dozen or so factions and now it is commonplace that there are only a few words circulated in “Law Field Change” and “Pirates of the Masses”. I hope very much that the holders of these recordings will be kept forever and for a long time