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本文从认识论和主体哲学出发,借助人类语言学研究的宝贵经验,阐述了关于电影潜系统建立的根本立场。电影研究必须脱离唯心主义和先验主体从合理性和实践理性出发。但是一味遵循结构主义语言学的方法只能使电影理论中的最终先验喻指取代先验主体,因而始终不能摆脱跨语言问题。乔姆斯基普遍语法中语言能力的存在告诉我们:电影理论必须对客观存在的人类认知能力进行深入的研究,只有这样我们才有可能发展一个介于符号学和认知科学之间,囊括所有电影现象的潜系统模型。
Starting from epistemology and subject philosophy, with the valuable experience in the study of human linguistics, this essay elaborates the fundamental standpoint about the establishment of the film latent system. Movie studies must start from reasonableness and practical rationality, not from idealism and prior subject. But blindly following the method of structuralist linguistics can only make the final a priori metaphor in movie theory replace the prior subject, and thus can not always get rid of cross-language problems. The existence of linguistic competence in Chomsky’s universal grammar tells us that the theory of film must conduct an in-depth study of the objectively existing human cognitive abilities, and only then will we be able to develop an interplay between semiotics and cognitive science, The Latent Systematic Model of All Cinematic Phenomena.