借助于景物描写来传达诗人内心情感是文学惯用的手法 ,也成为中国古典文学中的一种突出现象。但是 ,四季的风景并不是有均等的机会进入诗人的艺术视野 ,其中的春与秋是他们注目的焦点 ,并且春与秋的景物多与负面情感结合在一起 ,遂使古代诗人审美视域中的悲剧意识集中体现为伤 The use of scenery description to convey the inner feelings of poets is a literary practice, has also become a prominent phenomenon in Chinese classical literature. However, the four seasons scenery does not have the equal opportunity to enter the poet’s artistic vision. The spring and autumn are the focus of their attention, and the combination of spring and autumn scenes and negative emotions, so that the ancient poet’s aesthetic horizon The tragedy consciousness concentrates on the injury