林风眠(1900—1991)一生致力于融汇中西绘画。他善于运用独特的绘画技艺和视觉语言,色中掺墨,墨中掺色,色墨叠加、渗化、集结、沉积,与此同时辅以在纸的背面托色,以个性化的画境图式表达出不拘法度的创造自觉,呈现出他对缤纷多彩的内外世界的感知与遐想。其中,反复出现在林风眠水墨画中的秋鹜、芦雁意象非常醒目,这些画家十分心仪的意象 Lin Fengmian (1900-1991) devoted his life to integrating Chinese and Western painting. He is good at using unique painting techniques and visual language. The ink is mixed with ink, mixed with ink, mixed with colored ink, infiltrated, assembled and deposited, at the same time supplemented by the support of the back of the paper, with a personalized painting Expression of informal expression of creativity, showing his colorful inside and outside the world’s perception and reverie. Among them, the autumn ridges that appear repeatedly in Lin Fengmian’s ink-wash paintings are very eye-catching