比起闺阁文字,闺阁身影往往引发更多的绮想,“女子行乐图”也正是由于能满足这种想象而成为历来广受欢迎的绘画题材。因为比起文字记载,我们更喜欢在画卷之中直接“看见”古代闺秀在墙里墙外的丰姿千状。这种行止的神秘感,很大程度上也为女子缠足对其活动空间的局限所强化。传说缠足最初是一位南 Compared to the boudoir text, boudoir figure often lead to more Qi Xiang, “Women’s Happy Music ” is precisely because it can meet this imagination has become a popular subject of painting. Because compared to the written records, we prefer to scroll directly “see” the ancient boudoir the abundance of the wall outside the wall. The mystique of this action is reinforced to a large extent by the limitations of women’s footbinding on their activities. It is said that footbinding was originally a south