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在一次画展上,看到一幅名为《青城天下幽》的作品,画中古树苍郁,崇山峻岭中有流瀑若隐若现地穿流其中,给深幽的山中带来了动的感觉;观景台和茅亭在小桥的引领下,愈显幽远,真是让你走得进去;远山的一抹朝阳,让你的思绪漂浮在这自然的意韵之中,是画非画……读画是观者与画家的一种心灵的私密访谈,动人的作品是画家心智与自然意韵的契合,读到这样的作品,有一种超越自然的觉知,故黄宾虹先生曾说了这样的一段话:“自然大于人,艺术大于自然。”这大概是人与自然的结合而产生了艺术的原因。
In a painting exhibition, I saw a piece entitled “Qingcheng world secluded” paintings, painting the ancient trees are craggy, mountains and rivers in the waterfall looming flowing through them, to the deep quiet mountain brought a moving feeling; Taiwan and Maoting under the guidance of a small bridge, the more faraway, really let you go in; a touch of distant mountains, let your thoughts floating in the natural meaning of this is non-painting ... ... painting Is an intimate interview of the viewer and painter with a kind of heart. The moving works are the fit of the painter’s mind and the natural meaning of rhyme. When he reads such a work, he has a kind of consciousness beyond nature. Therefore, Mr. Huang Binhong once said such a passage : “Nature is greater than man, art is greater than nature.” This is probably the reason why art came into being due to the combination of man and nature.