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宋末元初词人张炎,以词论《词源》而集两宋词艺之大成,其“意趣”之说,影响甚远。本文从中国传统文论、西方汉学和西方现当代文论相互参照的视角,探讨张炎的“意趣”概念。这一探讨,专注于意趣同西方文论之寓意和意向二概念的关系,并分析张炎所推崇的姜夔词作,从而揭示张炎意趣概念之立意和达意两方面,尤其是意趣的观念化方法。
Zhang Yan at the end of the Song Dynasty, the poet Zhang Yan, with the word “etymology” and the culmination of two Ci poetry, its “meaning” is said, far-reaching impact. This article explores Zhang Yan’s concept of “interest” from the perspective of mutual referencing Chinese traditional literary theory, Western Sinology and contemporary Western contemporary literary theory. This study focuses on the relationship between the interest and the concept of the Western literary theory and the two concepts of intention and analyzes the Jiang’s poems advocated by Zhang Yan in order to reveal the conception and intentionality of Zhang Yan’s concept of conception, Method.