一幅画应该像什么?一个自然而然的回答是,画什么,就像什么。于是,一幅画应该像所画的那个人,那件物,那幅景。这种对绘画的态度被西方艺术史家称为“自然的态度”(The Natural Attitude,见Norman Bryson,Vision and Painting:the Logic of the Gaze)。在中国,颜延之给的定义是:“图形,绘画是也。”画的意义在于存形,以此区别“图理”的“卦象”和“图识”的“字学”。陆机说:“宣物莫大于言,存 What should a painting look like? A natural answer is what to draw and what it is like. So, a picture should be like that person, that thing, the scene. This attitude towards painting is called “The Natural Attitude” by Western art historians (see Norman Bryson, Vision and Painting: the Logic of the Gaze). In China, Yan Yanzhi’s definition is: “Graphic, painting is also.” The significance of painting lies in the appearance of the painting, in order to distinguish the “hexagrams” of “Tuli” and the “xixue” of “Tiandu”. Lu Ji said: "Declare more than words, save